follows James and Alyssa, two teenagers living a seemingly typical teen experience as they face the fear of coming adulthood. Forsman tells their story through each character's perspective, jumping between points of view with each chapter. But quickly, this somewhat familiar teenage experience takes a more nihilistic turn as James's character exhibits a rapidly forming sociopathy that threatens both of their futures. He harbors violent fantasies and begins to act on them, while Alyssa remains as willfully ignorant for as long as she can, blinded by young love.
Forsman's story highlights the disdain, fear and existential search that many teenagers fear, but through a road trip drama that owes as much to Badlands as The Catcher in the Rye. Forsman’s inviting, Charles Schulz-influenced style lends a deadpan quality that underscores the narrative's tension. The End of the Fucking World is certain to be one of the most talked-about graphic novels of 2013.
Forsman is arguably the most acclaimed talent to come out of the Center for Cartoon Studies, a school founded in 2004 by graphic novelist James Sturm and educator Michelle Ollie in White River Junction, VT. Forsman graduated in 2008 and is a two-time Ignatz Award-winner for his self-published minicomic, Snake Oil. The End of the Fucking World is his first graphic novel.
Praise for the mini-comic series:
Ranked #2 on Same Hat's "17 Favorite Comics of the Year"
"The most beautiful piece of Americana made in years. Every page Forsman draws is a minimalist masterpiece. Huge and heartbreaking. A modern triumph disguised as an episode of Peanuts." – Matt Seneca
"The awkwardness, the urgency, the sense of discovery, the sense of revulsion — it’s all true, even if you’ve never stuck your own hand in a garbage disposal." – Sean T. Collins
Great stuff." – Frank Santoro
"[TEOTFW] exemplifies what exactly it is I love about comics. It’s lo-fi yet stylistic, subtle yet visceral – a version ofBonnie and Clyde bled through the lens of Gus Van Sant's Paranoid Park." – Spandexless
"This is a crime comic disguised as a slacker-road-trip comic, and Forsman delivers its methodical hum eight pages at a time with an astounding precision."
– Comic Book Resources
"[TEOTFW] pulls you in like no other comic this year. Stunning in its simplicity and brave in its subject matter." – MTV.com